
As a composer, Saint-Saëns was often criticized for his refusal to embrace romanticism and at the same time, rather paradoxically, for his adherence to the conventions of 19th-century musical language.
For the last of his symphonic poems, in 1877, Saint-Saëns returned to the legend of Hercules. The fable relates that Hercules on his entrance upon life saw two roads lie open before him -- that of pleasure and that of virtue. Insensible to the seductions of nymphs and bacchantes, the hero chooses the paths of struggle and combats, at the end of which he catches a glimpse of the reward of immortality, through the flames of the funeral pyre.
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